Friday, June 26, 2015
NPR article about pianists and stage fright
To Master Stage Fright, Practice Makes Imperfect OK
The pianist the article is about, Sara Solovitch, also wrote a book about overcoming stage fright, called Playing Scared: A History and Memoir of Stage Fright!
The pianist the article is about, Sara Solovitch, also wrote a book about overcoming stage fright, called Playing Scared: A History and Memoir of Stage Fright!
Wednesday, February 25, 2015
Specialists
It's amazing when pianists have amassed experience in a specific area, such as instrumental collaborative piano - and then specialized even more with a specific instrument*, such as say, the saxophone.
I found a few pianists who happened to perform saxophone rep as their specialty! Take a look at the rep lists of these NASA (North American Saxophone Alliance) Collaborative pianists: Casey Dierlam, Leng-leng Lam and Liz Ames.
Think about creating your own niche, and check out local and international conferences for opportunities to use your repertoire strengths.
*Often the result of the pianist dating/marrying said instrument player.
I found a few pianists who happened to perform saxophone rep as their specialty! Take a look at the rep lists of these NASA (North American Saxophone Alliance) Collaborative pianists: Casey Dierlam, Leng-leng Lam and Liz Ames.
Think about creating your own niche, and check out local and international conferences for opportunities to use your repertoire strengths.
*Often the result of the pianist dating/marrying said instrument player.
Sunday, February 15, 2015
Updated Again - Summer Gigs and Opportunities
Collaborative pianists: here are some places to consider spending your upcoming summers - getting experience and/or paid (ideally both).
Chamber/Instrumental:
Banff Centre - Collaborative Piano Residency
Eastern Music Festival sometimes hires collaborative pianists for instrumental accompaniment, must be 21 to apply
Encore Chamber Music Collaborative Piano Fellowship
Encore Chamber Music Collaborative Piano Fellowship
Heifetz International Music Institute Chamber Music PIano Fellowship
Interlochen Summer Arts Camp hires 4-5 Instrumental accompanists
Interlochen Summer Arts Camp hires 4-5 Instrumental accompanists
Hot Springs Collaborative Piano Apprenticeships
Music Academy of the West - Instrumental Fellowship
Emerging Artists Fellowship Program is a four-week chamber music program for string players and pianists aged 18-26
Opera:
Ash-lawn Opera Festival has a music internship and/or accompanist opportunities
Banff Centre - Assistant Coach/Repetiteur
CoOPERAtive program at Rider University has a training program for singers and collaborative pianists
Dell'Arte Opera - Pianists
Des Moines Metro Opera - Apprentice Coach
Fall Island Vocal Arts Seminar Piano Fellows
Des Moines Metro Opera - Apprentice Coach
Fall Island Vocal Arts Seminar Piano Fellows
Glimmerglass - Young Artists program
Halifax Summer Opera Festival - Collaborative Pianist internships
Met Festival Summer Institute - Apprentice Collaborative Pianist
Miami Music Festival - Vocal Collaborative Institute Fellowships
Halifax Summer Opera Festival - Collaborative Pianist internships
Met Festival Summer Institute - Apprentice Collaborative Pianist
Miami Music Festival - Vocal Collaborative Institute Fellowships
Music Academy of the West - Vocal Fellowship
Vocal - Art Song:
Franz-Schubert-Institute - summer course for singers and pianists
Musical Theatre:
Interlochen Summer Arts Camp hires 4-5 Musical Theatre accompanists
Lexington Children's (summer) Theatre hires a Teaching Artist/Accompanist
Milbrook Playhouse - Music Directing internship
Seattle Children's Theatre Music Directing Intern
Lexington Children's (summer) Theatre hires a Teaching Artist/Accompanist
Milbrook Playhouse - Music Directing internship
Seattle Children's Theatre Music Directing Intern
Summer Theatre of New Canaan - Music Directing Internship
Surflight Theatre - Internship/Apprentice Programs
Surflight Theatre - Internship/Apprentice Programs
Dance:
Interlochen Summer Arts Camp hires 4-5 dance pianists each summer
Church Music
Lutheran Music Program - Collegiate Internships in Chapel Choir, Worship Team and Collaborative Piano
Etc:
National Music Festival - Piano Repair Apprenticeship Eastern Music Festival - Piano Technician Intern
Cortona Sessions for New Music Piano Fellowship
Church Music
Lutheran Music Program - Collegiate Internships in Chapel Choir, Worship Team and Collaborative Piano
Etc:
National Music Festival - Piano Repair Apprenticeship Eastern Music Festival - Piano Technician Intern
Cortona Sessions for New Music Piano Fellowship
Wednesday, January 28, 2015
You know a musician's in the kitchen when . . .
Labels:
Decorating for Musicians
Sunday, January 25, 2015
Bach research, ongoing
I started collecting ‘classical literature for church
services use’* from the Baroque era – first, Bach. As he is an outrageously prolific composer,
I kept it simple for now and went with selections from his better-known
composition groups. All of these are pieces I found appealing and can work up
in a couple of days/weeks. The added bonus is a lot of this is transferable to the organ, also. Here's what I've picked so far:
Two part inventions – #s 1, 3, 4, 7, 8, 10, 11, 13, 14
Three part inventions (aka Sinfonia) – #s 2, 3, 5, 8, 11, 12, 13,
14, 15
English Suites - No. 3 in g minor, BWV 808
French Suites - No. 4 in E flat major, BWV 815, No. 5 in G major BWV 816
Partitas – Partita in Bb Major, BWV 825
Well-Tempered Clavier, Book 1 - (tbd)
Well-Tempered Clavier, Book 2 - (tbd)
Plus
Fantasies - c minor, BWV 906 and g minor, BWV 917
*What else am I supposed to call it? ‘Real’ music?
Tuesday, January 13, 2015
New Project
I have a project this semester – an Independent Study on
church music. It will have an emphasis
on planning out solo organ/piano music for the entire church year. Specifically, I’ll be pulling together appropriate
music for services (prelude-offertory-communion-postlude), both hymn
arrangements and accessible music from the ‘solo classical’ piano
repertoire. At the end of the semester,
my goal is to have a selection of piano and organ literature that is
appropriate for each major church holiday (Christmas, Easter, etc) and the rest
of the year.
Also, the project is to get a better grasp on the many
aspects of being an effective church musician.
I’ve begun to see that the pianist can do more than provide pleasant
music or lead congregational singing*. It
is similar to how a sensitive choral pianist knows what to listen for in choir
rehearsals – they can diagnose the choir’s issues and respond as needed, while
anticipating the director’s needs also. A
good choral pianist helps facilitate a pleasant and effective rehearsal for
everyone involved.
A good church musician can facilitate a meaningful
experience for the congregation: and one of the ways is to complement the day’s
message and tone with thoughtful musical selections.
I’ll continue working on hymns, also – learning about
registrations, varying the hymns to match the lyrics, etc etc etc. I hope to blog this all out, both because it keeps me honest and working - but also, I haven't found much out there that quite addressed this they way I'm approaching it.
*It’s the difference between the two compliments “you are a
wonderful player” and “you play a wonderful service”.
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